Letters, Messages, and Tokens
Twelfth Night features a great variety of messages sent from one
character to another—sometimes as letters and other times in the form of
tokens. Such messages are used both for purposes of communication and
miscommunication—sometimes deliberate and sometimes accidental. Maria’s letter
to Malvolio, which purports to be from Olivia, is a deliberate (and successful)
attempt to trick the steward. Sir Andrew’s letter demanding a duel with
Cesario, meanwhile, is meant seriously, but because it is so appallingly
stupid, Sir Toby does not deliver it, rendering it extraneous. Malvolio’s
missive, sent by way of Feste from the dark room in which he is imprisoned,
ultimately works to undo the confusion caused by Maria’s forged letter and to
free Malvolio from his imprisonment.
But letters are not the only kind of
messages that characters employ to communicate with one another. Individuals
can be employed in the place of written communication—Orsino repeatedly sends
Cesario, for instance, to deliver messages to Olivia. Objects can function as
messages between people as well: Olivia sends Malvolio after Cesario with a
ring, to tell the page that she loves him, and follows the ring up with further
gifts, which symbolize her romantic attachment. Messages can convey important
information, but they also create the potential for miscommunication and
confusion—especially with characters like Maria and Sir Toby manipulating the
information.
Madness
No one is truly insane in Twelfth
Night, yet a number of characters are accused of being mad, and a current
of insanity or zaniness runs through the action of the play. After Sir Toby and
Maria dupe Malvolio into believing that Olivia loves him, Malvolio behaves so
bizarrely that he is assumed to be mad and is locked away in a dark room.
Malvolio himself knows that he is sane, and he accuses everyone around him of
being mad. Meanwhile, when Antonio encounters Viola (disguised as Cesario), he
mistakes her for Sebastian, and his angry insistence that she recognize him
leads people to assume that he is mad. All of these incidents feed into
the general atmosphere of the play, in which normal life is thrown topsy-turvy,
and everyone must confront a reality that is somehow fractured.
Disguises
Many characters in Twelfth Night
assume disguises, beginning with Viola, who puts on male attire and makes
everyone else believe that she is a man. By dressing his protagonist in male
garments, Shakespeare creates endless sexual confusion with the
Olivia-Viola--Orsino love triangle. Other characters in disguise include Malvolio,
who puts on crossed garters and yellow stockings in the hope of winning Olivia,
and Feste, who dresses up as a priest—Sir Topas—when he speaks to Malvolio
after the steward has been locked in a dark room. Feste puts on the disguise
even though Malvolio will not be able to see him, since the room is so dark,
suggesting that the importance of clothing is not just in the eye of the
beholder. For Feste, the disguise completes his assumption of a new identity—in
order to be Sir Topas, he must look like Sir Topas. Viola puts on new clothes
and changes her gender, while Feste and Malvolio put on new garments either to
impersonate a nobleman (Feste) or in the hopes of becoming a nobleman
(Malvolio). Through these disguises, the play raises questions about what makes
us who we are, compelling the audience to wonder if things like gender and
class are set in stone, or if they can be altered with a change of clothing.
Mistaken Identity
The instances of mistaken identity
are related to the prevalence of disguises in the play, as Viola’s male
clothing leads to her being mistaken for her brother, Sebastian, and vice
versa. Sebastian is mistaken for Viola (or rather, Cesario) by Sir Toby and Sir
Andrew, and then by Olivia, who promptly marries him. Meanwhile, Antonio
mistakes Viola for Sebastian, and thinks that his friend has betrayed him when
Viola claims to not know him. These cases of mistaken identity, common in
Shakespeare’s comedies, create the tangled situation that can be resolved only
when Viola and Sebastian appear together, helping everyone to understand what
has happened.
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