Act I
The first act opens in the palace of
King John, where he is giving an audience to the French ambassador. Summoned to
deliver his message, this emissary, after an insulting mention of 'borrowed
majesty' calls upon King John of England to surrender to Arthur Plantagenet,
son of his elder brother Geffrey, all England, Ireland, and the English
possessions in France. When John haughtily inquires what King Philip of France
will do in case he refuse, the ambassador rejoins by a formal declaration of
war, to which John retorts 'war for war,' warning the ambassador he will be in
France almost before his arrival can be announced.
The French ambassador having left
under safe conduct, Elinor, mother of King John, exclaims she was right in
predicting Constance would urge France to war for her son's rights, and reminds
John how all could have been settled amicably had he listened to her. Just as
John asserts that possession and right are both on his side, — to which his
mother does not agree, — the announcement is made that a strange controversy
awaits royal decision.
Bidding the contestants appear, John
mutters that his abbeys and priories will have to bear the expense of the
coming expedition to France, ere the two men are ushered in. On questioning
them, the King learns one is Robert Faulconbridge, son of a soldier, knighted
by his brother Richard, and the other, Philip, illegitimate son of the same
knight, who claims inheritance. While both young men are sure they descend from
the same mother, Philip the elder expresses doubts in regard to his father, for
which Elinor reproves him. Only when he exclaims, however, that he is thankful
not to resemble Sir Roger, does Elinor notice his strong resemblance to her son
Richard, to which she calls John's attention.
Both brothers now begin to plead
their cause before the King, interrupting and contradicting one another, the
younger claiming how during his father's absence, Richard induced his mother to
break her marriage vows. He adds, that aware of her infidelity, the father left
all he had to him, cutting off the elder entirely, although John says the law
entitles him to a share of Sir Robert's estate, since he was bom in wedlock.
Thereupon Robert asks whether his father had no right to dispose of his
property as he pleased, while Elinor questions whether Philip would rather be
considered the son of Richard Lionheart and forfeit all claim to Faulconbridge,
or vice-versa. Thus cornered, Philip confesses he would not resemble his
brother or Sir Robert for anjrthing in the world, and when Elinor invites him
to forsake all and follow her to France, — where he can win honors in the war,
— he joyfully hands over the disputed estates to his brother, and swears he
will follow Elinor to the death. Then King John knights Philip, who magnanimously
shakes hands with his 'brother by the mother's side,' thus displaying so much
of Richard's spirit, that Elinor and John acknowledge him as their kin.
All leaving the stage save the new
knight, he merrily congratulates himself upon the airs he can now assume, and
proposes to fit himself for knightly society by secret practice and by close
observation. His soliloquy is interrupted by the entrance of his mother, Lady
Faulconbridge, who chides him for speaking disrespectfully of Sir Robert, But,
after dismissing her attendant, Philip bluntly informs her that, knowing Sir
Robert is not his father, he has renounced all claims to the Faulconbridge
estates. After some demur, his mother confesses his surmises have been correct,
and that King Richard is indeed his father, whereupon he exclaims, 'Ay, my
mother, with all my heart I thank thee for my father! Who lives and dares but
say thou didst not well when I was got, I'll send his soul to hell.' This
understanding reached, Faulconbridge leads his mother out to introduce her at
court, promising to champion her on every occasion.
Act II
The second act opens in France,
before the city of Angiers (Angers), where Austria's forces are drawn up on one
side, and the French on the other. Stepping forward, the Dauphin greets
'Austria,' telling young Arthur and his mother Constance, that although once a
foe of Richard, Austria is now trying to make amends by helping the rightful
heir to his throne. At his request, Arthur embraces this former family foe,
freely forgiving him the past, and bespeaking his aid for the future. After the
Duke of Austria has pledged himself with a kiss never to abandon Arthur's cause
until he has won his rights to England, — 'that white-faced shore, whose foot
spurns back the ocean's roaring tides and coops from other lands her
islanders,' — Constance effusively promises him a 'mother's thanks, a widow's
thanks,' ere King Philip in his turn pledges himself to lay his royal bones
before Angiers or compel it to recognise Arthur.
Constance is just imploring these
champions of her son's rights to await the ambassador's return, with,
perchance, favourable news from England, when he appears, bidding French and
Austrians hasten to meet the English, who follow close on his heels. This news
is immediately confirmed by drum-beats, announcing the approach of the foe,
which fact surprises the French and Austrian leaders, although they are ready
to welcome them, for 'courage mounteth with occasion.'
King John now marches on the stage
escorted by his mother, suite, and army, calling down peace upon France
provided she yield to his demands, but woe should she resist. His proud address
is answered, in kind by King Philip of France, who claims Arthur is the
rightful possessor of England, and bids John recognise him as king. Irritated
by this demand, John haughtily demands Philip's authority for this claim, only
to receive reply that it is made in the name of the Defender of Orphans. When
John thereupon taunts Philip for usurping authority, he is charged with that crime
himself, ere Elinor and Constance, joining in the quarrel, begin to revile one
another hotly, for theirs is a feud of longstanding.
In the midst of this quarrel, Elinor
vows Arthur is not Geffrey's legitimate son, whereupon Constance indignantly
rebukes her, and turning to the lad exclaims his grandmother is trying to cast
shame upon him. The quarrel between the women becomes so virulent that the Duke
of Austria calls for peace, only to be sneered at by the insolent
Faulconbridge, who openly defies him, although Blanch, niece of John, who is
also present, evidently admires him.
Finally, the French monarch silences
the women and disputing nobles, and turning once more to John summons him to
surrender the lands he holds to Arthur. After hotly retorting, 'my life as
soon: I do defy thee, France,' John invites young Arthur to join him, promising
to give him more than France can ever win by force. But, when Elinor tries to
coax her grandson to side with them, Constance bitterly suggests his
grandmother will give him 'a plum, a cherry, and a fig' in exchange for a
kingdom, and by her jibes causes the gentle prince to wail he would rather be
dead, than the cause of 'this coil that's made for me.' While Elinor attributes
this cry to shame for his mother's conduct, Constance deems it is occasioned by
his grandmother's injustice, which diverging opinions rekindle the quarrel,
until both monarchs interfere to silence them.
Trumpet blasts summoning a
deputation from Angiers, end this vituperation, so a citizen, acting as
spokesman, demands why they have been summoned to their walls, only to hear
both kings claim they have come hither to seek aid to defend the rights of
England's King. Addressing the deputation first, King John accuses France of
trying to awe them into subjection, whereupon King Philip urges them to remain
faithful to their rightful sovereign, adding the threat that should they refuse
to obey Arthur, he will compel them to do so. Diplomatically replying they are
the King of England's faithful subjects, the spokesman refuses to decide which
is the rightful claimant to England's crown, and vows Angiers' gates shall
remain closed until the dispute has been duly settled.
When King John loudly asserts he is
the only rightful bearer of the English crown, - a statement in which he is
supported by his nephew Faulconbridge, — the French King urges the citizens not
to believe him. Thus starts a new dispute, at the end of which it is decided
the question shall be settled by the force of arms, so King Philip brings the
momentous interview to a close with the words: 'God and our right!'
Shortly after, the French herald, in
full panoply, formally summons Angiers to open its gates to Arthur, only to be
immediately followed by an English herald, in similar array, demanding
admittance for John. To these double summons the men of Angiers respectfully
reply they are merely waiting to know which is their lawful sovereign, before
they welcome their king. Both monarchs now enter the battlefield with their
respective forces, John sarcastically demanding whether France has blood to
squander, only to receive as rejoinder from Philip that he will defeat him or
die. Impatient to fight, Faulconbridge inquires why they stop to parley,
whereupon both kings, raising their voices, bid Angiers state with which party
it sides, only to receive the same reply that it is loyal to the King of
England. This diplomacy enrages Faulconbridge, who, declaring they are flouting
both kings, suggests the besiegers join forces to subdue the insolent rebels,
deciding the matter of rightful ownership afterwards. This proposal suits both
monarchs, who immediately agree upon the measures to be taken, arranging that
the French, English, and Austrians shall attack Angiers from different points.
Just as they are about to begin
operations, the citizens beg for a hearing, and propose in their turn that
John's niece. Lady Blanch, be married to the Dauphin, for whom she would make
an ideal wife, vowing 'this union shall do more than battery can,' since they
will then fling open their gates to both kings. This proposal fails to please
Faulconbridge, who longs for the fray; but Elinor urges John to accept it,
which, after Philip calls upon him to speak first, he formally does, stating he
will give his niece as dowry all his lands in France, save the town of Angiers.
The Dauphin, after expressing eagerness to conclude this match, whispers to
Blanch, who in turn signifies maidenly consent. The marriage portion John has
promised to bestow upon his niece, proves so enticing to Philip, that he bids
the young couple join hands, while the Duke of Austria suggests their betrothal
be sealed with a kiss.
All preliminaries thus settled. King
Philip calls upon Angiers to throw open its gates, so the marriage of the
Dauphin and Lady Blanch can be celebrated in St. Mary's chapel, concluding his
speech by stating his satisfaction that Arthur and Constance have retired, as
the latter would surely object to this arrangement. Then, to satisfy the
Dauphin, and French King, who ruefully aver Constance has just cause for
displeasure, John proposes to make Arthur Duke of Brittany, and bids a
messenger invite him and his mother to the wedding.
All now leave the scene save
Faulconbridge, who shrewdly comments John has forfeited a small part of his
possessions to prevent Arthur from securing the whole, while the King of France
has allowed the bribe of a rich alliance for his son to turn him aside from his
avowed purpose to uphold the right. He jocosely adds that, as yet, no one has
tried to bribe him, but that when the attempt is made, he will immediately
3rield, because, 'since kings break faith upon commodity gain, be my lord, for
I will worship thee.'
Act III
The third act opens in the tent of
the French King, where Constance, having just heard of the royal marriage,
exclaims it cannot be true, and threatens to have the Earl of Salisbury
punished for trying to deceive her. She pitifully adds that although a widow
and prone to fear, she will forgive all, provided he admits he has been jesting,
and ceases to cast pitiful glances upon her son. Unable to obey, Salisbury
compassionately reiterates he has told the truth, whereupon Constance wails she
and her son have been betrayed. In her grief, she bids Salisbury begone, and
expresses sorrow when her son implores her to be resigned, saying that were he
some monster, she might allow him to be deprived of his rights, but that,
seeing his perfections, she cannot endure his being set aside. Before leaving,
Salisbury again reminds her she is expected to join both kings, whereupon she
vows she will be proud in her grief, and seats herself upon the ground,
declaring kings will have to do homage to her, on her throne of sorrows, if
they wish to see her.
The marriage guests now return from
church, King Philip graciously assuring his new-made daughter-in-law that this
day shall henceforth be a festival for France, whereupon Constance, rising in
wrath from her lowly seat, vehemently declares it shall forever be accursed!
When King Philip tells her she has no reason for anger as he will see she gets
her rights, she accuses him of betrating her cause, calls wildly upon heaven to
defend a widow, and prays that discord may soon arise between these perjured
kings, although all present try to silence her. Even the Duke of Austria
becomes the butt of her wrath and contempt, for she scornfully bids him don
some other garb than the lion's skin on which he prides himself, — an insult he
cannot avenge as it is uttered by a woman. Instead, he turns his wrath upon
Faulconbridge, when the latter ventures to repeat some of Constance's
strictures on royal interference.
It is at this moment that the papal
legate enters, announcing he has been sent to inquire of John, why, in spite of
papal decrees, he refuses to permit Stephen Langton to exercise his office as
Archbishop of Canterbury. In return, John denies the Pope's right to call him
to account, and vows no Italian priest shall collect tithes in his realm, where
he considers himself supreme head under God! His defiant reply smacks of heresy
to King Philip, who, venturing to reprove him, is informed that although all
other Christian monarchs may submit to the Pope's dictation, be, John, will
continue to oppose him, and to consider his friends foes. This statement causes
the legate to pronounce John's excommunication, and to declare that anyone
taking his life will deserve to be canonised for having performed a meritorious
deed. Such a denunciation so pleases Constance, that she adds a few curses
addressed to John for depriving her son of his inheritance, until reproved by
the legate, who summons Philip to break all alliance with John, since he has
forfeited the Pope's regard. Hoping for war, the Duke of Austria sides with the
legate, while Faulconbridge taunts him, and King John, Constance, Lewis, and
Blanch separately implore Philip to listen to them. All these entreaties merely
perplex the French monarch, who, turning to the legate, gravely informs him
that having just concluded an alliance with John, it seems an act of sacrilege
to break it. He is answered, in a Jesuitical speech, that the Church comes
first, and can release from all other vows. While his son and the Duke of
Austria urge him to obey the legate's summons, Faulconbridge and Blanch demur,
the latter begging husband and father-in-law not to take arms against her
uncle. On hearing this, Constance falls upon her knees, appealing to the honour
of the King and Dauphin, while Blanch appeals to their love.
The scene closes with Philip's
decision to break faith with John and obey the Church, — thereby winning the
approval of the legate, his son, and Constance, but incurring the scathing
contempt of John, Elinor, and Faulconbridge. Meanwhile poor Blanch sadly wonders
with which party she shall side, her relatives and husband now being opposed,
and sadly yields when the Dauphin reminds her her first duty is to remain with
him. Then, King John, turning to Faulconbridge, bids him summon his army, and
defies King Philip, who boldly answers his challenge ere he leaves.
The next scene is played on the
plain near Angiers, where the battle is raging, and Faulconbridge is seen
bearing in triumph the Duke of Austria's head. A moment later, King John
appears with his nephew Arthur, whom he has taken prisoner, and now intrusts to
the keeping of Hubert, vowing he must hasten back to rescue his mother, who is
sorely pressed in her tent. Thereupon Faulconbridge admits he has already
delivered Elinor, and adds, 'very little pains will bring this labour to a
happy end.'
In the next scene the tide of battle
sweeps to and fro across the stage, and John is heard informing Elinor and
Arthur that they are to remain behind under strong guard, while Faulconbridge
will hasten back to England, to wring from the Church new sinews of war, a task
so congenial to his violent nature, that he departs vowing 'bell, book, and
candle' shall not drive him back.
After he has gone, Elinor begins
conversing with her grandson, while the King, after lavishing some flattery
upon Hubert, informs him he has matters of importance to communicate, which he
cannot reveal at present. Seeing Hubert overcome by his condescension, John
adds that if it were only midnight, he would dare speak and test his loyalty, —
a test Hubert is eager to have applied. Thereupon John bids him keep a watchful
eye upon young Arthur, whom he designates as 'a serpent' in his way, hoping
this hint will suffice for Hubert to remove the impediment. But, seeing him
still obtuse, John proceeds to express himself so plainly, that Hubert assures
him Arthur shall not live, and thereby wins eager thanks from the King, who,
taking leave of mother and nephew, bids the latter follow Hubert.
The next scene is played in the
royal French tent, where King Philip, the legate, and Dauphin, are discussing
the scattering of an English fleet by a tempest, which damage only partly
offsets the loss of Angiers, the seizure of Arthur, and the death of so many
brave Frenchmen. The Dauphin is describing how cleverly the English are
defending what they have won, when Constance enters, and is pitied by King
Philip for the loss of her son. No consolation, however, can touch this
bereaved mother, who wildly accuses them all of treachery, and calls for death,
in spite of all the King and legate can do to quiet her. When they finally
inform her this is madness, she hotly denies it, vowing that were she only
insane, she might forget her child or be satisfied with some puppet in his
stead, and, as she tears her hair in her grief, Philip notes how grey it has
turned, notwithstanding her youth.
Appealing to the legate, the poor
mother asks in heart-broken tones whether she will see and recognise in heaven
the child who was her dearest treasure on earth, and of whom she is so cruelly
bereft? In her grief, she eloquently describes the loveliness of her offspring,
but pictures him so changed by sorrow and imprisonment that even in heaven his
mother will not be able to recognise him. When the King and legate try to
soothe her, she vows 'grief fills the room up of my absent child' describing
how she misses his constant company and pretty ways, and declares that had they
ever experienced a similar loss they would better understand the sorrow which
now overwhelms her.
Seeing her depart still
broken-hearted, Philip follows lest she do herself some injury, while the
Dauphin siezes this opportunity to tell the legate that 'bitter shame hath
spoiled the sweet world's taste,' for him, because the defeat of the French
forces wrankles deep in his heart. Although in reply to fears expressed for
Arthur's safety, the Dauphin confidently affirms John will be satisfied in
keeping Arthur imprisoned, the legate prophesies that if not dead already, the
Prince will soon be slain. Then, he urges the Dauphin to attack England, — to
which he has the next right, — before Faulconbridge can raise reinforcements in
men and money, using arguments which determine the Dauphin to join him in
urging the King to immediate action.
Act IV
The fourth act opens in a
room in the castle, where Hubert is bidding two executioners heat their irons
red-hot, and linger behind the arras until he stamps his foot, when they are to
rush forward and bind fast the lad they find in his company. Because one of the
men mutters he hopes he is not doing this without warrant, Hubert chides him;
then, the men being duly concealed, calls upon Arthur to join him. Entering
with a kindly greetftig for his keeper, Arthur, on noticing he is low-spirited,
claims he alone has a right to be sorrowful, but that were he only free he
would be 'as merry as the day is long.' He pitifully adds that he is not to
blame for being Geffrey's son or heir to England, and that he would gladly be
Hubert's child so as to win his love.
This artless talk overcomes the
jailor, who exclaims in an aside, that if he converses any longer with such
innocence, his 'mercy which lies dead,' will awaken and prevent the execution
of his plan. Struck by his unusual pallor, Arthur now touchingly inquires
whether Hubert is ill, offering to nurse him because of the love he bears him,
a devotion which proves so moving, that with tears trickling down his cheeks,
Hubert exhibits the orders he has received, hoarsely asking the Prince whether
he can read.
After perusing the order, Arthur
piteously inquires whether both his eyes will have to be put out with red-hot
irons, and wonders whether Hubert will have the heart to do this to the lad,
who, when he once had a headache, forfeited his rest to nurse him. When he
concludes his eloquent appeal with the words, 'will you put out mine eyes?
These eyes that never did nor never shall so much as frown on you,' Hubert
grimly insists he must do so, although Arthur vows he would not believe it
should an angel state he could be guilty of such cruelty!
Steeling his heart against further
pleading, Hubert stamps, whereupon the executioners appear with red-hot irons
and a rope, ready to carry out his orders. Fleeing to Hubert's arms as his
refuge, Arthur piteously clings to him, vowing he will stand still, provided
they do not bind him. By such promises, he finally prevails upon Hubert to send
the men away, and when they depart, — glad to be spared such work, — he again
inquires whether there is no appeal against this awful sentence, describing in feeling
terms the distress caused by a mere speck in one's eye, and offering to
sacrifice any other member in preference. After a while he notices with relief,
that the irons have grown too cold to harm him, and when Hubert mutters they
can be reheated, exclaims the fire is nearly extinct, assuring Hubert, when he
proposes to rekindle it by blowing upon it, that it will 'blush and glow with
shame of your proceedings.' Conquered at last, Hubert exclaims he may keep his
eyesight, although he swore to commit this crime. These milder looks and tones
relieve Arthur, who cries he appeared like one disguised a while ago, but again
resembles himself! To escape the child's fervent gratitude, Hubert departs,
vowing John must be made to believe his nephew is dead, and reiterating his
promise not to injure Arthur 'for the wealth of all the world,' even though he
risk his life!
The next scene occurs in King John's
palace, where, crowned the second time, he expresses delight at finding himself
once more among his people. The Dukes of Pembroke and Salisbury deem this
second coronation superfluous, for they declare one might as well 'gild refined
gold,' 'paint the lily,' 'throw a perfume on the violet,' as try to enhance the
sanctity of a first consecration. But, although both these noblemen plainly
deem the ceremony a mistake, John insists he was right in having it performed,
ere he graciously inquires what reforms they would like made in state affairs.
Speaking in the name of the English
people, Pembroke begs John to set Arthur free, for the imprisonment of a child
is a great grievance to all his subjects. Just after the King has promised to
place Arthur in Pembroke's care, Hubert comes in, and John hastily draws him
aside. Meantime, Pembroke exclaims to Salisbury that this is the very man who
recently exhibited to one of his friends a cruel warrant which he fears has
since been executed. Watching John, therefore, both mark his change of colour,
and fancy it bodes ill in regard to Prince Arthur. Then, drawing near them once
more, John gravely informs them Arthur is dead, whereupon the lords
sarcastically comment upon so opportune an end! Although John tries to defend
himself by inquiring whether they think he has command of 'the pulse of life,'
they exclaim 'it is apparent foul play,' and take leave of him forever, to go
and find the Prince's remains and bury them suitably.
Both lords having thus departed in
wrath, John regrets what he has done, because 'there is no sure foundation set
on blood, no certain life achieved by others' death.' The appearance of a
messenger, whose face betokens ill-tidings, causes him to inquire anxiously
what news he brings, and when John learns a French force has already landed in
England, he wonders why his mother did not warn him. He is then informed how
Elinor and Constance have both died within three days of each other, — news
which makes his head reel; — still he soon collects himself, and has just found
out the Dauphin is leading the French army, when Faulconbridge appears.
Exclaiming he can bear no further
misfortunes, John demands how his kinsman has prospered, waxing indignant on
learning of the defection of his people, many of whom have been influenced by a
recent prediction that he will be obliged to relinquish his crown before
Ascension Day! Hearing Faulconbridge has brought the prophet with him, John
suddenly inquires of this man what induced him to say this, only to be gravely
informed he did so 'foreknowing that the truth will fall out so!' In his wrath
John entrusts the prophet to Hubert's keeping, with orders to hang him on
Ascension Day at noon, and to return to receive further orders as soon as he
has placed this unwelcome prophet in safe custody.
Hubert and the prophet having gone,
John asks Faulconbridge whether he has heard of the landing of the French, of
Arthur's death, and of Salisbury's and Pembroke's defection. In hopes of
winning the two latter lords back to their allegiance, John orders
Faulconbridge to follow them, and only after his departure comments on his
mother's sudden death. It is while John is still alone, that Hubert returns,
reporting five moons have been seen, which phenomena people connect with
Arthur's death. Such is the popular panic in consequence, that its mere
description chills John's blood, and makes him turn upon Hubert, accusing him
of being alone guilty of Arthur's death, by which he had naught to gain. When
Hubert retorts John forced him to commit that crime, the King rejoins, 'it is
the curse of kings to be attended by slaves that take their humours for a
warrant to break within the bloody house of life.' Thus goaded, Hubert produces
the royal warrant, which John no sooner beholds, than he vows murder would
never have come to his mind had not so ready a tool been near at hand! When
Hubert protests, John angrily inquires why he did not do so when the order was
given, as a mere sign would have stopped him, and bids him begone, as one
accursed, who has brought down upon England foreign invasion, the disaffection
of the nobles, and a panic among the people. This accusation determines Hubert
no longer to withhold the information that Arthur still lives, and when he con-
cludes with the words it was not in him 'to be butcher of an innocent child,'
John, perceiving the political advantage he can draw from this confession,
promptly apologises to Hubert, and bids him hasten and tell the news to the
peers, whom he invites to join him in his cabinet.
The next scene is played before the
castle in which Arthur is imprisoned, at the moment when he appears upon the
high walls and looks downward, about to spring into space. Before jumping, he
implores the ground to be merciful and not hurt him, for, if not crippled by
the fall, he hopes to enjoy freedom as a sailor lad. After concluding 'as good
to die and go, as die and stay,' Arthur springs, only to expire a moment later
on the stones below, gasping they are as hard as his uncle's heart, and
imploring heaven to take his soul, and England to keep his bones.
When he has expired, Salisbury and
Pembroke appear, discuss joining the French, and are overtaken by
Faulconbridge, who summons them into the King's presence — summons they
disregard, for they never wish to see John again. Advancing, they suddenly
descry Arthur's corpse, over which they mourn, pointing it out to Faulconbridge
with words of tender pity for the sufferings of the child, and of execration
for those who drove him to so desperate an act. Hard-hearted as Faulconbridge
is, he agrees 'it is a damned and bloody work,' although he cannot imagine how
anyone could be guilty of a child's death. The lords have just registered a
solemn oath to avenge Arthur, when Hu- bert appears in the distance, calling
out that the Prince is alive and the King wants them, words which seem pure
mockery to Salisbury, who harshly bids him begone. As his orders are not
immediately obeyed, Salisbury draws his sword, whereupon Faulconbridge
restrains him, while Hubert protests that nothing, save irespect for a noble
an- tagonist, prevents him from seeking immediate redress for the terms he has
used.
The rest now turn upon Hubert,
terming him murderer, a charge he defies them to prove. Before attacking him,
they point to Arthur's corpse as a confirmation of their words, and at the
sight of the lifeless Prince, Hlibert truthfully exclaims he left him in good
health an hour ago, and protests he 'will weep his date of life out for his
sweet life's loss.' But this grief seems pure hypocrisy to Salisbury, who
decides to hasten off with his companions to the Dauphin's camp, where, they
inform Hubert and Faulconbridge, the King may hereafter send for them. The
lords having gone, Faulconbridge demands whether Hubert is in any way to blame
for Arthur's death, vowing if he is guilty of slaying a child, no punishment
can be too severe for him. When Hubert solemnly swears he is not guilty, 'in
act, consent, or sin of thought,' Faulconbridge bids him carry off his little
charge, marvelling that England's hopes can make so light and helpless a
burden. Then he hastens back to John, for 'a thousand businesses are brief in
hand, and heaven itself doth frown upon the land.'
Act V
The fifth act opens in John's
palace, just after he has surrendered his crown to the legate, who returns it
to him in the Pope's name, accepting him once more as vassal of the holy see.
As John has submitted to this humiliation so as to retain possession of the
sceptre slipping from his grasp, he implores the legate soon to use his
authority to check the advance of the French. After admitting he induced the
French to attack England, the legate departs, promising to make them lay down
their arms.
When he has gone, John inquires
whether this is not Ascension Day, exclaiming the prophesy has been fulfilled,
since he voluntarily laid aside his crown before noon. It is at this moment
Faulconbridge enters, announcing that all Kent save Dover, has already yielded
to the French, who have also become masters of London, where the nobles are
thronging to receive them. These tidings dismay John, who expected the nobles
to return to their allegiance as soon as it became known that Arthur was alive;
but, when he learns from Faulconbridge that the little Prince was found dead at
the foot of his prison walls, he vehemently exclaims Hubert deceived him!
Seeing John hopeless of maintaining
his position, Faulconbridge urges him to 'be great in act,' as he has 'been in
thought,' suggesting that he fight fire with fire, and by his example infuse
courage in everybody. When John rejoins that the legate has promised to make
peace with the invader, the Bastard scorns such an inglorious settlement, and
bids John arm, lest he lose the opportune moment to triumph over a youthful
foe. When he is therefore told to prepare immediately for fight, he goes off
with great alacrity.
The next scene is played in the
French camp, at St. Edmundsbury, where the Dauphin orders copies made of the
covenant he has just concluded with the English lords, a covenant which
Salisbury promises shall never be broken, although it grieves him to fight his
countrymen. The Dauphin has just reassured him in regard to England, — whose
prosperity he means to further, — when the legate enters, announcing that John,
having concluded peace with Rome, is no longer to be molested. But, loath to
relinquish a purpose once avowed, the Dauphin refuses to withdraw at the
Church's summons, and claims England as his wife's inheritance, since Arthur is
dead.
His proud refusal to return to
France without having accomplished anything, amazes the legate, who has no time
to bring forth further arguments. for trumpets sound and Faulconbridge appears.
Demanding whether the legate has been successful, and learning the Dauphin
refuses to withdraw, Faulconbridge shows great satisfaction, and reports that
his master challenges the French, whom he intends to drive home in disgrace!
His defiant speech angers the Dauphin, who, contemptuously remarking it is easy
to 'out-scold,' refuses the legate's offers to arbitrate, and informs
Faulconbridge his challenge is accepted.
The next scene is played on the
battle-field, where, meeting Hubert, John eagerly inquires how his troops have
fared, and is dismayed to learn Fortune has proved adverse. He is besides, prey
to a fever which robs him of strength at the critical moment, so he abandons the
field, sending word to Faulconbridge he will take refuge in the neighbouring
Abbey of Swinstead. As he is leaving, he learns with delight the Dauphin's
supplies have been wrecked on Goodwin Sands, but even such tidings cannot cure
him and he turns very faint.
In another part of the field,
Salisbury, Pembroke and another lord have met, and comment over the number of
friends John has' secured, marvelling in particular at Faulconbridge's courage,
and wondering whether the King has really left the battle-field. Their
conversation is interrupted by a mortally wounded Frenchman, who warns them
they are betrayed, and advises them to crave John's pardon before it is too
late. On learning that the Dauphin, — who swore friendship with them, — intends
to sacrifice them in case he is victorious, all three lords leave the field,
bearing with them the wounded man who has so kindly befriended them.
In the next scene the Dauphin boasts
they have driven the foe from the field, just as a messenger brings word that
the English nobles have deserted, and that his supplies have been wrecked!
Knowing King John is at Swinstead Abbey, the Dauphin proposes to pursue him
thither on the morrow, and retires while his men mount guard over the camp.
We now behold Swinstead Abbey, where,
coming from opposite directions, Hubert and Faulconbridge meet. In their first
surprise they challenge each other, dropping their defiant attitude only when
they discover they are both on the English side. Making themselves known, they
then eagerly inquire for news; but, it is only after some hesitation that
Hubert reveals that John has probably been poisoned by one of the monks, and is
now speechless, warning Faulconbridge the end is so near he had better provide
for his own safety. Unable to credit such tidings, Faulconbridge inquires
further particulars, only to hear the rebel lords have been pardoned and are
now with Prince Henry by the royal death-bed.
It is in an orchard near this same
Abbey that Prince Henry, conversing with Salisbury and another lord, sadly
informs them his father's death is imminent. A moment later Pembroke joins
them, reporting that the King wishes to be brought out in the open air, as he
fancies it will do him good. After giving orders for his father to be conveyed
to this spot. Prince Henry laments the sudden seizure which has laid him low;
and even while Salisbury is vainly trying to comfort him, bearers bring in the
dying monarch. Shortly after gasping, 'Now my soul hath elbow-room.' John adds
that an internal fire consumes him! Then, in reply to Prince Henry's inquiries,
he admits he is indeed dying from poison, and begs for the relief which no one
can afford him, although his sufferings wring tears from all.
The sudden appearance of
Faulconbridge, rouses John enough to remark he arrives in time to see him die!
These tidings dismay Faulconbridge, who announces the Dauphin is coming, and
that, having lost most of his own forces, he will not be able to defend his
King! At these words John sinks back dead, and Salisbury exclaims: 'My liege!
my lord! but now a King, now thus.'
Seeing his father has gone, Prince
Henry mourns, while Faulconbridge swears he will linger on earth only long
enough to avenge John, and will then hasten to wait upon him in heaven as he
has done here below. Hearing him add that England is in inuninent danger,
Salisbury informs him that the legate has just brought offers of peace from the
Dauphin, which can be accepted without shame. Instead of continuing the war,
therefore, the Dauphin will retreat to France, leaving the legate to settle
terms with Salisbury, Faulconbridge and others.
After advising Prince Henry to show
his father due respect by attending his body to Worcester, — where John asked
to be buried, and where he can assume the English crown, — Faulconbridge
promises to serve him faithfully, an oath of fealty in which Salisbury joins.
Although Prince Henry can thank them only by tears, the play closes with
Faulconbridge's patriotic assurance that 'this England never did, nor never
shall, lie at the proud feet of a conqueror,' and that naught will ever make
Englishmen afraid as long as 'England to itself do rest but true.'
No comments:
Post a Comment